I'm not one for award shows, but I am a fan of the Rock & Roll Hall of Fame show because it's so unlike the Oscars or the Grammys. For one, the audience is full of the most random collection of celebrities and music executives - this year there was Meg Ryan, Tom Hanks, some SNL cast members, and a random supermodel or two. The performances are also somewhat rough but come off as really genuine, maybe due to the relatively small venue at the Waldorf in NYC, as opposed to the cavernous amphitheaters that contain the bigger awards shows.
But the best part is the unscripted nature of the whole production. You never know what the inductees, or inductors (?) are going to say. And they can say pretty much whatever they want, for as long as they want. We recorded the show on Monday night and watched it last night; it was a good thing that it was recorded because we could zip through some of the inductees that we didn't know or care about and just get to the main acts (Leonard Cohen, Madonna, Mellencamp), because otherwise we would have been sitting there watching for four hours. On MHD they show the whole thing, edited only for bad words, without commercials, including stage change-overs and random backstage footage ("backstage" for some reason consisting of a kitchen/walk-in freezer area of the hotel). I think they edit it down to 2-hours, with ads, when they re-broadcast it on VH1 in a few weeks.
So what about all those crazy speeches and introductions? First of all, you kind of wonder how they come up with some pairings. Back in 2003 Gwen Stefani inducted the Police, and Elton John inducted Elvis Costello. Not the most natural pairings, if you ask me, but kinda fun nonetheless. This year Mr. Cohen was treated to a rambling, disjointed, when-will-it-end monologue by...Lou Reed? Sure, why not. Lou's odd introduction was thrown into even sharper relief by Cohen's brief, funny, touching acceptance speech.
Next up was Justin Timberlake to induct Madonna, a pairing that made a bit more sense to us. Justin started strong, but all the innuendo and lame jokes, not to mention his attempts to work in as many Madonna song titles as possible, became somewhat painful to listen to after a few minutes. Not terrible enough to wonder if Lou was still available, but still not good. Madonna herself had a solid and sincere acceptance speech prepared, nothing controversial or particularly noteworthy. But then...she didn't perform! Huh? Instead fellow Michigan native Iggy Pop performed in her stead (at her request?!?), "treating" the audience to two Madonna covers, the first which I didn't even recognize and the second an awful version of Ray of Light. Ugh.
Billy Joel inducted John Mellencamp, and while he started slow, he really delivered the most entertaining speech of the whole night. The role of sardonic and bitter aging rock/pop musician suits him quite well, plus he was very funny. I especially enjoyed his impression of Randy Newman. Mellencamp's speech was a bit rambling but solid, he seemed almost weary though at the podium. Fortunately, he had plenty of energy once he got on stage to perform three of his hits, although none of the three was Jack and Diane; what's up with that?
The big finale number, in which all inductees perform together, was just OK. They covered a song by the newly-inducted Dave Clark Five, and while Madonna didn't make it on stage, Iggy Pop didn't either, which was fine with us. So it ended up being John "Don't Call Me Cougar!!!" Mellencamp and his band, joined by John Fogerty, Joan Jett (told you this show was weird), plus Billy Joel looking clueless on keyboards - I wonder if anyone remembered to tell the old guy what song they were playing, or at least what key they were in.
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